Cultural Policy & New Media

The Europeanization of German identity runs like a red thread through Germany's post-war history and is also evident in its performances at the ESC: Germany presents itself as cosmopolitan.

Although the ESC was not intended as an instrument of European integration, it has become a symbol of it - even if the relationship between national and European identity is contradictory.

The ESC usually stands for camp in the gay male tradition. Can it also be of interest to lesbians and feminists? On kitsch and camp as queer communication strategies.

For one evening, a global audience watches a show staged with the most elaborate means at the height of technical feasibility. What makes the ESC one of the most fascinating media events of our time?

The almost 70-year history of the ESC reads like a seismograph of the cultural and socio-political situation in Europe on many levels.